is a collection of 66 commemorative plates. Fifteen of the plates are commercially produced souvenir plates collected by the artist. The plates map acknowledge suppressed histories while reflecting geographic locations of extractive economies of Arizona.
The stadium paintings combine real and imagined spaces. The paintings are filled with references to abandoned structures, World’s fairs monuments, repurposed Olympic stadiums, now homes for Syrian refugees share pictorial space with simulated virtual environments of carnivals, candy crush and other imaginary slippages of materials. This is an ongoing series with over twenty paintings and three massive sculptures.
